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January 24th, 2011

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I read somewhere that the overwelmingly red seek of American Beauty is a symbol for blood and roses. Represented in the film by the flower petals in Lester Burnham’s fantasies, and the blood spilt when the sadness that hovers beneath bears its face. The title of American Beauty does not refer to the comely surfaces that screen the wretchedness of these people, but the beauty of their souls when dealing with that trouble. Many reviewers have considered the title to be ironic, it isn’t. I’ve heard Kevin Spacey say that this film is about context, because taken out of context the behaviour of these characters seem bizzare and even phsycotic, but out with in the context of their messy lives or indeed anybody’s life, it seems natural. If I sigh you that Kevin Spacey plays a character who is obsessed with the notion of sleeping with his daughter’s best friend, a daughter who constantly anounces her hatred of her parents, a woman so obsessed with appearances that happiness is but a memory to her, a loner who makes his living as a drug dealer with a firm rigid father living in denial about his son and himself, you would guess that there would be no one to like in this film. You would be putrid. This film is magical in the plan it lets identify with these characters, care for them and trouble about their outcome. Infact the ideas of American Beauty are nothing recent. The persuit of happiness through the abanodoning of materialistic possesions and the satisfaction of primal, animal and natural desires was the trusty same premise for Fight Club. This could be a middle mature version of that film. The family turmoil closely resembles Ang Lee’s The Ice Storm 1998, and like that film, American Beauty ends in tragedy. But as with all masterpieces its not the “point” that counts, but how you obtain there. Honest like the fact that anything unusual you learn in life is the history you don’t know, most originality in movies is the movies you haven’t seen and the novel’s you haven’t read. The fact that the film remains a masterpiece is a credit to the execution of those ideas, not their originality. Our hero is Lester Burnham a man who goes quits his job, shadowy mails his boss, and goes wild for a year. His tear of self-discovery is not what your average citizen would call good, yet we level-headed sympathise. My favourite scene in the film is where Lester meets Ricky(Wes Bently) outside a section. Ricky sells marijuana for a living and makes a lot of money. Lester tells him that when he was his age he “flipped burgers all summer long” for very petite money. “That sucks” says Ricky, “No actually it was astounding.” The heart of the film is this scene, Lester’s yearning for those years where his whole life was ahead of him, when he believed he coul do anything, when he wasn’t such a “loser”. This purity is the Beauty to which the title refers. Ricky Fitts is the boy next door, a loner who likes to film people. His father is a rigid military man. Both Wes Bently and Chris Cooper who play father and son respectively give monumental performance equal to Kevin Spacey’s oscar winner. Their family is a difference to Lester’s, and in its tragedy, emotional complexity and heart rupture exceeds it. Ricky’s catatonic mother is perhaps what Lester would have become had he not taken charge of his life. I have tried to explain this film, but its not a film that can be defined. It is one to be experienced. If I deny that the peer of a paper bag blowing in the wind will amaze you, you gain it very comical indeed. Acredit then to this film that when Ricky point to us a video of a paper bag blowing in the wind, it is indeed a breathtakingly pretty notice.

“American Beauty” is a pure cinematic triumph that is both droll and shaded. It’s disturbing… and yet, it’s extremely racy and deep. The film is an fabulous achievement that reveals a tragic and realistic yarn about a family that is anything but ordinary. It’s a film with so many layers that it is almost impossible to dissect them all in one single understanding.

Meet Lester Burnham; a man who feels like he’s completely lifeless inside. His wife and daughter dislike him and do not present him any signs of respect. On the surface, the family seems like a picture-perfect family that everybody dreams about–but inside is a completely different matter. His wife is obsessed with material possessions and doesn’t care for “petty” things like cherish or life, while his daughter resents herself because she isn’t “perfect.” Lester’s mental coma is rudely interrupted when he meets his daughter’s friend and starts fantasizing about her. The awakening might be due to a disturbing notion or feeling, but the wake-up call changes Lester and allows him to realize that there’s always time to erase his “forced-image” and be the person he really is. This is all a set-up for a droll, disturbing and tragic movie.

I don’t know about everybody else, but my mind was literally racing around when this movie was playing before my eyes. It’s one of those films that allows you to acquire up on something different upon each viewing. As I said in the beginning of the review, this film has a number of layers to it. There’s so many different meanings and points to the film that it is nearly impossible to represent them all in one slight review. Besides, the fun piece of the movie is discovering these meanings and points for yourself. You know a film is successful when you totally lose yourself to it and allow it to challenge you in every scheme. The film is crafted flawlessly and doesn’t have a wasted cramped in it.

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The acting from Kevin Spacey is really a gawk to peek. He gives his character all of the fair needs and feelings that is famous for the authenticity of his role. You don’t even survey at him as an actor–but as the genuine person he portrays. It is certainly a milestone in his acting career that will continue to be remembered throughout all cinematic history. Annette Bening is also proper in her role and brings life to her character, as well. Everybody in the film should be applauded, as they all develop the film what it is.

The DVD has some shapely features to offer. The recount quality is unbelievable and the sound is more than huge. You have the option of watching the movie in DTS if your system is able to play it. Extras included are commentary from the director and writer, a behind-the-scenes featurette, cast and crew biographies, trailers and more. While I wouldn’t had mind a Two-Disc edition of the movie, this is a graceful impressive package overall.

“American Beauty” is a breath-taking masterpiece with a very high replay value. It’s a terrific film on every front and does not disappoint for a single second. While it’s not a movie that everybody will like, it’s most certainly one to check out if you are a lover of films. If you’re looking for something that isn’t so ordinary, then this may be the chance that you are seeking. I feel that it is a recent and satisfactory film that is very hard to bid in words–you’ll objective have to experience it for yourself. -Michael Crane
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Streaming C.S.I. Crime Scene Investigation: The Complete Ninth Season Online

December 3rd, 2010
Streaming C.S.I. Crime Scene Investigation: The Complete Ninth Season Online. Streaming C.S.I. Crime Scene Investigation: The Complete Ninth Season Online.

Movie Title: C.S.I. Crime Scene Investigation: The Complete Ninth Season
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C.S.I. Crime Scene Investigation: The Complete Ninth Season is available for streaming or downloading.

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Crime dramas have a history of doing well on television, but nothing has ever had the kind of success of CSI: Crime Scene Investigation. When the exhibit first came out, it was groundbreaking. It captured the attention of the American public and changed the face of American prime time crime dramas. Spawning two spin-offs, CSI: Unique York and CSI: Miami and several similar shows on various networks, the execute of CSI on prime time crime dramas is unmistakable.

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CSI follows the mysterious (and sometimes wacky) cases of the Crime Scene Investigation unit in Las Vegas. The key aspects of CSI are the sharp forensic and logical deduction techniques that the team uses to track down killers. It’s the extinct whodunit idea, but with a high-tech twist.

Season nine opens with Warrick Brown’s (Gary Dourdan) funeral. Sara (Jorja Fox) returns to the team, and she and Grissom (William Peterson) have several awkward moments before Sara realizes that she can not remain in Vegas. Over the next few episodes, Grissom’s mood takes a depressive downturn — is it because of Sara’s leaving, Warrick’s death, or the change he finds in Lady Heather? Grissom eventually leaves to gather Sara, leaving unhurried more questions than answers.

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Enter Laurence Fishburne as Dr. Ray Langston.

The most polarizing occurrence in season nine is the departure of Grissom and the introduction of his replacement, Ray Langston. While Fishburne is mild a grand actor, it’s nearly impossible to appease long-time fans of CSI with a Grissom replacement. Some fans favorite the change, while others plan Grissom’s leaving should have signaled the kill of the show’s television urge. While Fishburne’s character Ray isn’t poor, he honest isn’t as spicy as Grissom. And, honestly, after Grissom’s departure in episode 10, it became increasingly more difficult to glimpse the expose. Soon after Grissom leaves and Ray comes in, the entire feel of CSI seems to change.

Gone are the strong ensemble cast stories that bring in all of the characters in appealing ways. Instead, we have a virtually entirely Ray-centric series that seems to plunge all of the other characters. Greg’s dialog seems to tumble in every episode, Catherine becomes fragment of the scenery, Riley, a modern CSI, adds very small to the series, and Slice feels like a shadow passing through each episode.

Aside from Grissom’s departure, Sara is also written out of the reveal when she leaves Vegas. Online rumors point to Sara’s return as a recurring or guest character in some episodes of season ten, but will she be able to effect CSI? I wouldn’t say that I am a ample fan of her character, but it certainly couldn’t afflict.

This DVD space includes all 24 episodes of CSI’s ninth season on six discs. The bonus features include audio commentary on episode 16, “Turn, Turn, Turn,” and episode 20, “A Plot Oddity,” along with deleted scenes, a feature on Grissom’s departure, a feature celebrating CSI’s 200th episode, and a pair of features going leisurely the scenes of the events in season nine of CSI.

It’s difficult to say if William Peterson’s departure will lead to the waste of CSI. From what I’ve seen in season nine, post-Grissom CSI isn’t off to the best begin. Hopefully the writers can come by a map to effect fans plunge in appreciate with Ray next season, or it could lead to a serious flow in ratings and, possibly, the extinguish of CSI.

CSI has been one of the best shows on TV over the last several years. Unfortunately this season is its weakest by far. That’s in no puny portion to the loss of 3 main characters. The two replacements haven’t brought considerable to the indicate yet either, and I consider this demonstrate has hurry its course. With its high ratings, I’m positive they will want to maintain this reveal going ala ER style for as long as possible, even if the whole new cast win replaced. I guess they figure it’s the mysteries and tech that preserve people watching, but that may be a mistake.

This demonstrate really went down hill after Grissom left and the replacement was not a obedient choice. The explain tranquil remains watchable, but it has fallen a astronomical deal from where it was.
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